![]() A thought occurred to me:if the orange were red and the bar across were a lightning bolt cuttingacross at an angle, then we would have a very nice, unique and highly identifiablemark to put on the equipment.Īt the warehouse I told Bob the idea that I had, and he made a quick sketch.A mutual friend, Ernie Fischbach, who was visiting with Bob, said "Giveit to me, I'll show you an easy way to put it on the boxes." Whereupon he proceeded to cut holes in a couple of pieces of stencilpaper. I couldn't read the name ofthe firm, and so was just looking at the shape. One day in the rain, I looked out the side and saw a signalong the freeway which was a circle with a white bar across it, the topof the circle was orange and the bottom blue. I was in the habit of driving from Oakland to Novato in a little MGTF whichhad plastic side curtains, which were not very transparent, due to agingof the plastic. I decided that we needed some sort of markingthat we could identify from a distance. Wewould spend a fair amount of time moving the pieces around so that we couldread the name on the boxes. Sinceevery band used pretty much the same type of gear it all looked alike. The Dead in those days had to play in a lot of festival style shows wherethe equipment would all wind up at the back of the stage in a muddle. Bob Thomas, an old friend of mine had just moved fromLA to the Bay area and needed a place to stay, and we needed someone tolook after the warehouse, which had had a problem with break-ins.īob was a superb graphic artist whose work is now familiar to most Deadheadsin the form of the Live Dead album cover and the Bear's Choice cover, onwhich the popular Dancing Bears appeared. Iwas sound man for the band at the time, and lived in Oakland. In 1969 the Dead were renting a warehouse in Novato, California. This is the logo that Bob Thomasand I designed for Grateful Dead
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |